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Archive for the ‘Digital Out-of-Home’ Category

With team USA through to the next round of the World Cup, soccer fever has finally arrived in Orlando (home to Monster Media), one of the top US cities for soccer viewers.

Monster Media is of course quite famous for developing award-winning interactive Out-of-Home applications. I’m willing to bet that Monster’s World Cup Penalty Kick application will be a contender for another trophy.

Penalty Kick features a 3D rendered soccer player taking penalty shots. The user stands in front of the screen and tries to catch the ball. The interface uses a Kinect-like approach, where a camera detects zones of user movement and calculates if the user is in the path of the ball’s trajectory. After 3 misses or 60 seconds, the game ends. Top scores make it to a leaderboard and, depending on brand objectives, can then be linked to further activations including social media, offers and coupons.

In USA, Coke branded Penalty Kick for a coast to coast campaign targeting consumers in McDonald’s. Monster’s mobile trucks were used to literally take the game on the road from Florida to California stopping off at numerous McDonalds’ carparks. That campaign ends next week.

In Mexico, Telcel, the country’s largest wireless carrier is also a sponsor of Mexico’s World Cup team. Monster branded the penalty Kick game for Telcel (adding their signage to the stadium and adding Mexico’s celebrity player Gullit Peña to the game.

Working through Cara Digital and Havas Media Group Mexico, Monster licensed and trained the local teams to enable an interactive network of 3×3 and 2×3 walls in 5 Telcel stores. The network also featured 24/7 remote diagnostics and monitoring. That campaign runs for 100 days in Mexico.

These campaigns show how innovative companies are leveraging out-of-home signage to give consumers more reasons to fall in love with their brands.

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Monster Social’s Wiffiti application spotted in Toronto’s Dundas Square, promoting Sony’s About Last Night. Now that’s a hashtag asking for moderation :)

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The convention, trade show and meeting industry in 2012 generated more than 1.8 million meetings in the U.S. involving an estimated 225 million participants (Source PricewaterhouseCoopers). 50% of meeting participants were corporate/business meetings, 27% conventions/conferences/congresses and trade shows accounted for 12%. Not including travel-related spending, $150 billion was generated by meeting planning and production, venue rental, and other non-travel & tourism commodities.

It’s no surprise that such a significant and competitive industry is always searching to maximize value for busy attendees and exhibitors. And it’s no coincidence that Monster Social, the platform developed by Monster Media and LocaModa (the company Monster acquired in 2013) to help Out of Home networks amplify audience engagement is being leveraged in the convention industry to deliver more valuable event experiences.

Freeman, one of the largest event and conference service companies in the world, produces over 4,000 exhibitions worldwide every year. Richard Reid, Vice President, Freeman Audio Visual Digital Services, sees social media as more than a communication tool. “Freeman’s success depends on our ability to deliver impactful experiences, faster, smarter and flawlessly. In today’s business climate, utilizing Freeman’s Digital Services social media solutions to effectively generate a better person-to-person “return on connection” is key.”

To Richard Reid’s point, in order to deliver “fantastic ideas quickly and flawlessly” technology not only needs to be VERY configurable, but the team behind it also need to be VERY responsive and VERY flexible. With the production of so many events every year, Richard’s team depends on the reuse and flexibility that platform technologies provide to rapidly tailor innovative signage solutions for their clients.

On top of that prerequisite, social media is evolving rapidly. Features, Application Programming Interfaces (APIs) and even commercial Ts&Cs are not standing still. Companies that develop social media platforms need the DNA to adapt quickly.

As it evolves, Social media is moving to center stage – literally. It is no longer a “nice to have” feature of an event:

- Social walls are used to inform attendees about event news in realtime and reduce perceived wait time in busy areas.
- Connected messaging services and applications spread news beyond the event and in turn feed on-line and mobile reactions back onto event screens to enable more informed attendees and create an even bigger buzz.
- Hash tags are being leveraged to display audiences Q&As in panel sessions.
- Interactive social maps can display realtime infographics about attendees.
- Moderation, filtering and curation tools help get the right message to the right people at the right time.

Since the start of 2014, Freeman has produced over 40 events using Monster’s social media platform. Each event requires a different configuration depending on whether the screen placement is on stage, in a hall, an entrance or a booth. Message size, speed, number of messages, call to action, filters, etc., all need to be configured depending on the event and sponsor requirements as well screen placement. The application needs to inform, entertain, market, and reduce perceived wait time. It must also accommodate a sponsor’s or brand’s logo(s), messages, products etc.

That’s a tall order, and companies like Freeman use social media not only as a tool to improve the event experience, but also as a means of offering more end-toend services and solutions. For example, where they might have provided “just” screens, stands and connectivity, they can now provide the real time content on those screens.

How does a company like Freeman select their social media platforms? Many social media tools have been developed by people who do not understand the UX challenges of the event space. The last thing a sponsor wants is to display social media that is too small to be read at the back of the room, or scrolls in such a uniform way that the audience tunes it out after 15 seconds (our brains are predisposed to notice random movement above uniform movement). The UX for a screen that’s 10 feet away has to be very different to that of a screen 10 inches away. A UX designed for the web experience is rarely a good solution for an events.

Many social media tools are designed as “eye-candy” first with little attention to the above challenges and even less attention to adherences to the terms and conditions of the streaming services many re-syndicate without permission. What might be fine for a DJ to project at a club is not necessarily fine for a multinational sponsor to project at a conference. Dealing with multi-million dollar events, it is imperative that the solutions our clients use are robust, tested at scale, easy and fast to use and legally sound.

As one client asked me recently “What do I say tell people who expect social media to be free?” I suggested they remind their customers that even though they can download music for free illegally, would they provide music that way for clients paying many thousands of dollars for a professional risk-free execution?

And that point raises other legal issues around social media. Freeman knows that it is even more important when providing solutions for public consumption to be mindful about specific legal requirements. There are the standard terms and conditions that each social media source require of their partners as well as copyright questions that can come into play. For example, Twitter does NOT permit companies to re-syndicate it’s tweets without explicit permission. There are granted patents for systems and methods of social media on public displays (see this post for more info). Do companies break these rules? Yes. Should they? NO. Do you want to knowingly provide solutions that could put you or your clients at risk? Of course not.

Recent conferences enabled by Freeman via Monster Social include:

Connected Car Expo: tweets were used during the show on social walls and in session’s question time with realtime moderation. Over 3000 tweets were sent during the two day show.

2014 Genitourinary Cancers Symposium: Freeman Audio Visual worked with ASCO’s social media team to develop a solution that would allow them to incorporate their online social media presence into their live event and to display tweets between the General Sessions. Medical tweets are typically longer than average tweets and Freeman was able to easily program the experience to have longer message “hang times”. Over the two day event, #GU14 received more than 1800 tweets, all of which were recorded by Freeman’s social media analytics reporting tool and provided to ASCO post-show.

OTCHouston: The Offshore Technology Conference is an international trade show with global attendees from the oil industry. The show was used to premier Social Map, a new social media template developed by Monster. Attendees can tweet the conference hashtag together with their country to see a world map info graphic display the attendees from each country. This is a digital version of the old pin-board maps where attendees place their business cards on a map. With Social Map, there is a realtime interface to capture the same information.

We’re only scratching the surface, but from the excellent feedback Freeman are getting, we know that event organizers and attendees see these products as essential engagement tools.

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Late last week our partner manager at Twitter called me with some good news.

Twitter has backed down on a requirement that its broadcast partners (that includes TV, Out of Home, Stadiums, Events etc) be exclusive to its platform.

Twitter was requiring it’s partners to drop features that enable other rival social platforms and streams being displayed on out-of-home screens and networks.

As Re/Code reported, Twitter has decided to get along with Facebook, after all.

We should not be surprised that any public company has its biggest brains exploring ways to improve their competitive advantage. More than ever, it behooves the market to be aware of the ever changing social media landscape. Stay tuned.

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Our new OBIEs arrived yesterday!

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